Pioneer in mixed reality

Anamorphic 3D billboards in Munich.

In Munich, the screens for 3D sit at Stachus and in the new airport terminal. We design the anamorphic film for them, and we can book the media.

  • Works on every DOOH screen
  • Live in 3 to 4 weeks
3D billboards · Munich

Germany's first digital screen was in Munich. Its 3D screens are at Stachus.

Germany's first digital out-of-home screen went live in a Munich U-Bahn station in 1994. Today the surfaces that suit a 3D billboard cluster at Stachus, one of the busiest squares in the city, and in the new airport terminal, which publishes its prices. Below: the screens, who sells them, the 2025 airport list prices, the rules and the dates.

market

The Munich out-of-home market

Germany’s out-of-home market is growing fast. Nationally, gross advertising revenue passed €3 billion for the first time in 2024, up 12.7%, and digital out-of-home grew 19% to reach 43% of the total (Fachverband Aussenwerbung figures, reported by LebensmittelPraxis). In the first half of 2025, national digital out-of-home revenue reached about €731 million gross, 22% more than a year earlier, according to Nielsen (W&V).

Munich started it. Germany’s first digital out-of-home screen went live at the Odeonsplatz U-Bahn station on 15 February 1994, an Infoscreen now part of Ströer (Ströer). Stachus, or Karlsplatz, sees up to 300,000 passersby a day, and a new freestanding 3D LED cube was set to open there in September 2025 (W&V). At the airport, the Terminal 1 extension adds 56 advertising spaces, all digital, for about 6 million passengers a year expected in its non-Schengen area from 2026 (Munich Airport).

screens

Screens that suit a 3D billboard in Munich

  • Stachus 3D LED cube, Karlsplatz

    Oohlala media, content by met[ads]Freestanding seamless LED cube, 360°

    Built and sold as a 3D DOOH format, visible from several sides; up to 300,000 passersby a day (W&V)

  • Stachus LED billboard, Karlsplatz

    StröerIndoor narrow-pitch LED, about 30 m wide

    A billboard-sized canvas at a main access point to the underground, with heavy commuter flow (invidis)

  • Plaza Brand Stage, Airport Terminal 1 extension

    Flughafen MünchenLED wall 8.45 x 4.75 m, Full HD, next to a 58 m² exhibit space; 18 hours a day, no sound

    The product can stand in front of its own 3D film, for long-haul travellers (Munich Airport)

  • Passenger Walkway network, Terminal 1 extension

    Flughafen München11 LED walls of 3.00 x 1.70 m and 3 of 2.40 x 1.40 m

    Not one viewpoint: a story told screen after screen along the passenger flow (Munich Airport)

  • U-Bahn Infoscreens

    StröerProjections of 4 x 2.5 m on tunnel walls, at Max-Weber-Platz, Odeonsplatz, Rotkreuzplatz and Marienplatz

    A waiting audience facing the screen head-on across the tracks (Hörmann)

We found no giant outdoor corner screen in Munich like the one in Hamburg. A national plan can pair a corner screen there with the Stachus formats.

3D campaigns

3D campaigns Munich has already seen

  • Zespri (2023): a forced-perspective campaign with the animated Kiwi Brothers breaking out of large DOOH screens in Düsseldorf, Hamburg and Munich, planned by Mindshare and ScreenOnDemand (Horizont).
  • Red Bull Organics: a 3D-modelled illusion on the Public Video Giant at Stachus, as if viewers were looking through glass into the station pillar. The agency’s case study does not give a year (DEPARTD).
media owners

Who sells the space

  • Ströer, through DSM Deutsche Städte Medien: advertising for the transit operator MVG (trams, stops, U-Bahn), the U-Bahn Infoscreens and the large LED billboard at Stachus (City of Munich).
  • Flughafen München: sells and approves all airport media, including the digital network of the Terminal 1 extension (Munich Airport).
  • Oohlala media: developer of the Stachus 3D cube, with met[ads], a 3D DOOH start-up from Düsseldorf, as premium content partner (W&V).
rules

Rules to know before you brief

  • Transit ads are approved by MVG: each motif goes to MVG; discriminatory or sexist ads and ads for political parties and religious sects are excluded by contract. A rejected motif has to be revised or does not run (City of Munich).
  • The city is not the seller on transit: the City of Munich has no contract with MVG or Ströer for transit ad spaces. MVG awards them in its own contracts, and the city only awards advertising rights on city-owned land (City of Munich).
  • Airport creatives: Flughafen München approves and installs them; the client commissions and pays for production (Munich Airport).
costs

What it costs

Munich Airport publishes list prices for the Terminal 1 extension in its 2025 media data, plus VAT (Munich Airport):

  • Digital City Light Posters (departures, non-Schengen): one slot €3,700 per week, €12,960 per month or €90,000 per year; exclusive use €11,100 per week. The media data notes a 10% agency commission.
  • Passenger Walkway LED network: one slot €7,600 per week or €185,000 per year; exclusive use €22,800 per week.
  • Plaza Brand Stage (LED wall and exhibit space): €475,000 per year, exclusive.

No prices are published for the Stachus screens. The 3D film is a separate budget, and depends on how many formats it has to fit.

calendar

When to launch in Munich

  1. 01

    Oktoberfest, from mid-September to early October: a record 7.4 million guests over 16 days in 2026; the 2027 edition runs from 18 September to 3 October (Oktoberfest).

  2. 02

    IAA Mobility, in September of odd years: carmakers and tech brands launch to an international audience; the 2027 edition runs from 7 to 12 September (IAA Mobility).

beyond billboards

Not a billboard? The same 3D for shop windows, events and buildings.

Every screen needs a film built for its exact shape, outdoors or indoors. Same studio, same method.

2D vs 3D

A 2D video gets seen. A 3D one gets filmed.

Same screen, same media budget. A flat video plays like every other ad. Anamorphic 3D seems to leave the screen, so people stop, film it and share it.

What changes
2D video
Anamorphic 3D
Attention
Seen, then forgotten
People stop and film it
Reach
Only the people who walk past
Passers-by, plus everyone who sees the videos online
Media budget
Same
Same media buy, zero extra spend
Shareability
Nobody films a flat ad
Reposted, stitched, duetted for free
Shelf life
Over when the campaign ends
Lives on social long after the screen goes dark
Format
A flat image inside the frame
A 3D moment that breaks the frame
HOW WE WORK

From your media plan to a moment people film.

You bring the screens and the brand. We bring the idea, the 3D and the delivery, and we keep it simple for you from the first call to the day it goes live.

5 steps3 to 4 weeks from approved brief
  1. Brief
  2. Concept
  3. Production
  4. Delivery
  5. Amplification
get a free concept

See your brand break the screen.

Tell us about your next campaign. We come back with a concept built for your screen and your brand: the idea, the twist, and how it plays out. Free, and yours to keep.

No commitment. If you would rather talk it through first, book a call and we look at your plan together.

  1. 1/2 · Your details
  2. 2/2 · Your campaign
book a call
what clients say

The messages we get once the screen goes live.

  • “Thank you, the team loves it”

    Brand marketing · EMEA

  • “Really great work, thanks a lot”

    Social lead · UK

  • “Thanks again, it looks amazing”

    Brand content · HQ

  • “Congratulations on a job exceptionally well done”

    Nathalie Dubois · Head of Brand Marketing, Media & Comms Western Europe

  • “Great job, thank you”

    Campaign lead · DACH

Faq

Everything you need to know.

Still have a question?

Can't find your answer? Send us your campaign and we'll come back with a free concept.

contact

Yes. A freestanding LED cube at Stachus is built and sold as a 3D DOOH format, visible from several sides, at a square with up to 300,000 passersby a day. Ströer's 30-metre LED billboard at the Stachus transit access is the other large canvas.

The airport publishes list prices. In its 2025 media data for the new Terminal 1 extension, one slot on the digital City Light Posters costs €3,700 per week, the walkway LED network €7,600 per week, and the Plaza Brand Stage €475,000 per year, all plus VAT.

Yes. We can handle the media buying with the operators, so the screens are chosen for the creative and the budget stays under control. If you already have a media agency, we deliver the 3D film to their plan.

The transit operator MVG. Ströer sells the space and submits each motif to MVG; discriminatory or sexist ads and ads for political parties or religious sects are excluded, and a rejected motif has to be revised or does not run.

Yes. We create both flat and 3D versions and adapt them to every screen and media owner in your plan, whether that's one flagship billboard or dozens across markets. The technical back-and-forth is our job, not yours.

The creative is a separate line, but it never requires you to buy more media. You're making the impressions you've already paid for work harder: the same screens start generating organic reach on their own.

Ideas and early visuals can use AI. The final 3D is built by our own team, because a real screen with real people in front of it does not forgive approximation.

Got an idea? Let's build it right.

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