Trusted by 30+ businesses and teams
Built into the place.
A permanent screen is part of the building. The content should feel like it belongs there too.
Hotels, restaurants and lobbies
Lobby and dining room walls with calm, looping 3D scenes that guests stop to watch. Not ads.
Residential and office towers
LED facades that give a tower its signature, and a 3D film that helps sell it before it is finished.
Malls and public spaces
Atrium walls seen from every level, with a library of films that changes with the seasons.
- see the brand as more premiumBCN Visuals × MFour survey (US)0%
- better long-term memory for moving adsOcean Outdoor neuroscience research (UK)0×
- more brand awareness for 3D vs a still adVistar Media × JCDecaux × Omnicom, 7,513 people (NL)0%
- of viewers would film and share a 3D adBCN Visuals × MFour survey (US)0%
How we make sure it lasts.
A building screen plays every day for years. The content is planned like part of the architecture, not like a campaign.
01From the plans
We work from the architect's plans and the screen specs, even before the building is finished.
02CGI preview on the building
You see the content on the building in CGI before it plays. The same images help sell the project.
03Day and night
Brightness and contrast set for daylight and for night, with local rules on brightness flagged to your team early.
04A library, not a campaign
Calm loops and seasonal scenes, with new films added over time so the screen never feels old.
What you get.
- A library of looping films
- CGI previews of the content on the building
- Day and night versions
- A refresh plan by season
- Files to the screen integrator's specs
- The rights to reuse the films
screen formats
Any screen, any shape.
Flat, corner, curved or one of a kind: the 3D is built for the exact geometry of your screen and the spot people see it from.
- Flat
- Corner 90°
- Curved
- Column
From a first idea to a moment people film.
You bring the brand and the place: a street, a shop, a stage or a building. We bring the idea, the 3D and the delivery, and we keep it simple from the first call to the day it goes live.
The messages we get once the screen goes live.
“Thank you, the team loves it”
Brand marketing · EMEA
“Really great work, thanks a lot”
Social lead · UK
“Thanks again, it looks amazing”
Brand content · HQ
“Congratulations on a job exceptionally well done”
Nathalie Dubois · Head of Brand Marketing, Media & Comms Western Europe
“Great job, thank you”
Campaign lead · DACH
Everything you need to know.
It runs for months or years, so it has to fit the architecture and still feel right on the hundredth view. We design calm loops and a library of scenes rather than one campaign.
Yes. We work from the architect's plans and the screen specs, and show the content on the future building in CGI, which also helps sell the project.
Yes. We plan a library of films and add new ones by season or event, so the screen never feels old.
Corners, curves and walls with depth around them give the strongest effect. If the screen is not installed yet, we advise on its shape and position before it is built.
There is no fixed price. Every project is quoted after a short brief, because the price depends on the idea, how many screens and formats it runs on, and the resizing each one needs.
You do. Once the project is paid, the films we deliver are yours to reuse on other screens and channels. We only keep the right to show the work in our portfolio, unless you prefer otherwise.
Two disciplines, one team.
The same craft, two ways into it. Every project starts with the screen or the street your brand will live on.
