Trusted by 30+ businesses and teams
A 2D video gets seen. A 3D one gets filmed.
Same screen, same place. A flat video plays like everything else around it. Anamorphic 3D seems to leave the screen, so people stop, film it and share it.
One 3D idea, four places to show it.
Anamorphic 3D works wherever there is a screen and people in front of it: in the street, in the shop, on stage and on the building itself.
On every screen, globally
From New York to Tokyo, we've turned brand moments into content people actually stop for: 150+ campaigns on 750+ screens in 14 countries.
screen formats
Any screen, any shape.
Flat, corner, curved or one of a kind: the 3D is built for the exact geometry of your screen and the spot people see it from.
- Flat
- Corner 90°
- Curved
- Column
From a first idea to a moment people film.
You bring the brand and the place: a street, a shop, a stage or a building. We bring the idea, the 3D and the delivery, and we keep it simple from the first call to the day it goes live.
The messages we get once the screen goes live.
“Thank you, the team loves it”
Brand marketing · EMEA
“Really great work, thanks a lot”
Social lead · UK
“Thanks again, it looks amazing”
Brand content · HQ
“Congratulations on a job exceptionally well done”
Nathalie Dubois · Head of Brand Marketing, Media & Comms Western Europe
“Great job, thank you”
Campaign lead · DACH
A multidisciplinary team ofbrand love experts.
Theo ficatContent Producer
Jean piquemalProduction Lead
Samia touchetCreative Director
Mehdi BenkaciCEO
Eugène RouxHead of Accounts
Alexey komarovVFX & CGI Lead
Sergei NakariakovCGI Art DirectorPartner studio: Untilted
Everything you need to know.
A film built for one screen and the spot people see it from. From there, the perspective makes objects seem to leave the screen and step into the street, the shop or the room. It is the effect behind the 3D billboards people film and share.
On almost any LED screen that people see from a predictable spot: billboards and DOOH networks, shop windows and in-store screens, stage and event walls, media facades and lobbies.
No. Corner screens give the strongest illusion, but flat, curved and column screens work too. Send us the screen, its size and a photo from where people stand, and we tell you what fits.
3 to 4 weeks from the approved brief to delivery, with two rounds of changes included. We build around your media calendar, not the other way around. If your dates are already fixed, tell us the deadline and we confirm upfront.
There is no fixed price. Every project is quoted after a short brief, because the price depends on the idea, how many screens and formats it runs on, and the resizing each one needs.
Yes. If you already have a screen, we build for it. If not, we can book the media ourselves: you keep control of the budget, and we pick screens that suit the idea.
You do. Once the project is paid, the films we deliver are yours to reuse on other screens and channels. We only keep the right to show the work in our portfolio, unless you prefer otherwise.
Ideas and early visuals can use AI. The final 3D is built by our own team, because a real screen with real people in front of it does not forgive approximation.
Wherever your screens are. Recent work in Paris, Dubai, London, Berlin, Milan, Seoul and New York, and we deliver to 14 countries so far.
Yes. You stay client-facing, we produce in the background: 3 to 4 weeks from the approved brief to delivery, two rounds of changes included. Details on the partners page.
Two disciplines, one team.
The same craft, two ways into it. Every project starts with the screen or the street your brand will live on.
