Trusted by 30+ businesses and teams
Stage, stand or open field.
We work alongside your event agency and AV provider: their wall, their specs, your date.
Stages and concerts
The wall behind the show. A 3D moment timed to the set, filmed by the whole crowd at once.
Trade show stands
A corner LED on the stand that pulls the aisle in and ends up on the phone of everyone walking past.
Brand activations
Outdoor walls and pop-ups for brand activations, made to read in daylight for a moving crowd.
- for a visitor to stop or walk past a standExhibit Surveys, via CEIR0s
- more brand awareness for 3D vs a still adVistar Media × JCDecaux × Omnicom, 7,513 people (NL)0%
- better long-term memory for moving adsOcean Outdoor neuroscience research (UK)0×
- of viewers would film and share a 3D adBCN Visuals × MFour survey (US)0%
How we make sure it works on the day.
An event gives you one chance. Everything is planned around the date, the room and the people who run the wall.
01Planned backwards
We start from the show date and fix the brief, the reviews and the file delivery around it.
02Viewpoint on the floor plan
We place the point of view of the illusion on the venue plan: where most of the audience and the cameras will be.
03A tech sheet for your AV team
Resolution, pixel pitch, frame rate, player and file format, agreed with your AV provider in the first week.
04Tested, with a backup
A test on the real wall whenever the venue allows it, and a backup file ready on the day.
What you get.
- Files ready to load on the wall
- A tech sheet for your AV provider
- A backup version for the day
- A version timed to the show
- Cuts for social after the event
- The rights to reuse the films
screen formats
Any screen, any shape.
Flat, corner, curved or one of a kind: the 3D is built for the exact geometry of your screen and the spot people see it from.
- Flat
- Corner 90°
- Curved
- Column
From a first idea to a moment people film.
You bring the brand and the place: a street, a shop, a stage or a building. We bring the idea, the 3D and the delivery, and we keep it simple from the first call to the day it goes live.
The messages we get once the screen goes live.
“Thank you, the team loves it”
Brand marketing · EMEA
“Really great work, thanks a lot”
Social lead · UK
“Thanks again, it looks amazing”
Brand content · HQ
“Congratulations on a job exceptionally well done”
Nathalie Dubois · Head of Brand Marketing, Media & Comms Western Europe
“Great job, thank you”
Campaign lead · DACH
Everything you need to know.
Anamorphic 3D is strongest from one point of view, so we set it where most people stand: the middle of the room, the end of the aisle, the camera position. From elsewhere, the film still reads as a strong piece of motion.
Yes, that is the usual setup. We take the wall's resolution, pixel pitch and playback system from them, and deliver files ready to load.
We plan backwards from your date: 3 to 4 weeks from the approved brief, with a test on the real wall before the day whenever the venue allows it. Tell us the date first, and we confirm upfront.
There is no fixed price. Every project is quoted after a short brief, because the price depends on the idea, how many screens and formats it runs on, and the resizing each one needs.
Yes. We deliver clean cuts of the film for your channels, and the videos filmed by the crowd do the rest.
You do. Once the project is paid, the films we deliver are yours to reuse on other screens and channels. We only keep the right to show the work in our portfolio, unless you prefer otherwise.
Two disciplines, one team.
The same craft, two ways into it. Every project starts with the screen or the street your brand will live on.
